Category: 2010
The Leather Britches perform “Make Me a Pallet on the Floor”
Composed of four friends who came to Asheville for, as they sheepishly put it, “this fiddle gathering … like a convention.” Of course, anyone who follows the Asheville music community would instantly know what they were talking about: The Swannanoa Gathering at Warren Wilson College.
The quartet wouldn’t exactly characterize themselves as a band, although Nick DiSebastian (guitar) and Charles Muench (bass) were both members of the Lancaster, PA, group River Wheel. Bronwyn Keith-Hynes (fiddle) and Jen Starsinic (fiddle) also had a musical project together, and three of the four lived in the same town and attended the same school, and had played together under various names over the years. On this day, they had decided to call themselves The Leather Britches.
Here, the quartet perform the cross-genre standard “Make Me a Pallet on the Floor.” Continue reading The Leather Britches perform “Make Me a Pallet on the Floor”
F.J.K. performs “If You End Up Broke”
In general, if you’re going to make money playing tunes to people walking by on their way to somewhere else, it pays to go with something bright, high-energy and recognizable. F.J.K.’s “If You End Up Broke” is none of those. It’s a melancholy tune on the surface, but the lyrics are surprisingly mellow and hopeful. That’s not the kind of subtlety most passersby are likely to notice.
It’s not that most musicians I’ve met on Busk Break don’t have songs like this in their repertoire — of course they do — but few would ever decide to play them on the street. Less people stop for a melancholy tune than for an upbeat one. Less people stop for an original than for a pop hit. What makes this song so wonderful is that it’s a rare thing to find in the wild. Continue reading F.J.K. performs “If You End Up Broke”
Ben Wilton performs “Big Bad World”
That’s not to say that Ben Wilton planned his arrival in town around what would become one of the region’s major music festivals for the next few years. If anything, he seemed a little overwhelmed at just how many people were out on the streets on that chilly October night. Originally from New Jersey, Wilton had been “rambling” around the East Coast with his guitar for the previous three weeks, and was only planning on being in town for a few days. Continue reading Ben Wilton performs “Big Bad World”
Ashton and Rama Cheromaya perform “Mayan Queen”
What’s up with that video, though? WLike many of the very early Busk Break recordings, there is no original video to accompany the audio, and I’ve once again paid a visit to the public-domain Prelinger archive content at Archive.org to make some thing suitable for sharing. In this case, I’ve edited down a 1954 educational film called “Habit Patterns” to be more in fitting with the audio. The original is largely about the terror that comes from having lazy habits, and tells the story of a girl who no one likes because she wore a stained top to school one day.
The edited version is more a story of unrequited teenage attraction that neither the young girl or the society lives in is able to accept. It’s a little hokey, but if you watch the original film, I think you’ll agree that my version tells a better story. Continue reading Ashton and Rama Cheromaya perform “Mayan Queen”
Alex Williamson is just “Looking For Some Time”
I met Alex Williamson on a cool afternoon in late October 2010. It was just before the start of MoogFest, and the city was swarming with world-class musicians and their crews, all frantically trying to settle in before the madness of that Halloween-fueled festival. He was playing on the corner of Battery Park and Page Avenue in downtown Asheville, a good block from two of the best-established busking hotspots, and I assumed he was from out of town. But he wasn’t. He was a local guy who either hadn’t done enough busking to know where the money spots were. Continue reading Alex Williamson is just “Looking For Some Time”
New Busk Break Collection!
The new collection includes outstanding performances from Charles Clyde Toney II with Kris Wahl and Eris Valentine; Amy Alvey and Blake “BlakeAbyss” Larson; Brian McGee and Kevin “Krum” Rumley; Taylor Martin and Lyndsay Pruitt; Tomb Nelson and the Stillwater Hobos; Alex Travers; 37; Shane Conerty; Anna Trevor; Logan Mason; and Patrick and Cody. All proceeds go toward keeping Busk Break project alive, upgrading our equipment and tipping future buskers for their contributions. And for $1 a track or a mere $7 for the whole thing, what more could you ask for? Click the link for details.
Distinctly Original Tunes By 37
It’s great to be proven wrong, and the young woman calling herself “37” was definitely not the kind of person I was expecting to record. I’d been expecting three-chord covers, and instead I was blasted away by a seamless fusion of folk, ska, punk and other influences that simply couldn’t have come together by mere accident.
Highly original, clearly talented, and a little skittish mixed with a heap of defiant, it’s hard not to be strangely charmed by 37’s persona. Continue reading Distinctly Original Tunes By 37
PJ Bond and Lauren Baker
Baker is probably best known as the musical saw player from local “absurdist, gypsy, folk, funk, punk” band Sirius.B. (To be fair, like most members of that band, she’s a multi-instrumentalist, but the musical saw thing tends to stick out.) Continue reading PJ Bond and Lauren Baker
PJ Bond performs “You Know The Drill”
Bond had only been living in town for a year or so, but his brother, Pancho Romero Bond, was already established as the frontman of local “absurdist, gypsy, folk, funk, punk” band Sirius.B. Although not nearly the same level of showman as his brother, I’d argue that PJ Bond is clearly the better songwriter. But PJ never really found his niche in novelty-act living Asheville, and his time as a busker didn’t last long. Continue reading PJ Bond performs “You Know The Drill”
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