We’ve covered Now You See Them‘s Shane Conerty before, as he’s one of the most active buskers in the Asheville music scene. He’s also one of those rare performers who is perfectly willing to give his all in every song, even if there’s no audience to speak of when he’s playing it.
In the summer of 2010, New York-based musician Jessica Dennison was passing through Asheville, and decided to give busking a try on our streets. By the time I ran across her, however, the looming clouds and drizzle made it very clear that her next song would be the last in her set. So, armed with her ukulele and charm, she performed her original tune “Grave” for the Busk Break project. Continue reading Jessica Dennison and her ukulele perform “Grave”
When Kevin Jerome told me that he wanted to “reclaim” the 1929 Albert E. Brumley hymn “I’ll Fly Away” for “the black man,” I was dubious. Jerome is an unquestionably talented performer, but was he really up to the task of reworking one of the most recognized gospel songs of all time? In a word, yes. Continue reading Kevin Jerome reclaims “I’ll Fly Away”
Shortly before the release of his album The Taking or The Leaving, alt-country and Americana artist Brian McGee spent the the better part of a day busking song from the recording in front of the Iron sculpture in downtown Asheville, NC. He was joined midway through the set by drummer Kevin “Krum” Rumley, whose unique talents include the ability to seamlessly keep time while puffing away on a cigarette. Continue reading Brian McGee and Krum perform “First Kiss”
When I first met her, I was almost certain that the last thing Lyndsay Pruitt wanted was to be recorded. She was sitting on a bench near a noodle shop in downtown Asheville, and she had a distant way of talking, almost like she’d rather be anywhere other than in a conversation with a stranger. But, as I explained my project and its goals, she warily agreed to let me record her. Little did I know that this slightly awkward chance encounter would result in one of my favorite early recordings. Continue reading Taylor Martin and Lyndsay Pruitt perform “Devil’s in the Barroom”
Gillian Bourazak was one of the first half-dozen buskers I recorded for the Busk Break project, and her two videos are also one of the worst missed opportunities in the entire series. She has a solid voice and a keen songwriting sense, two things I utterly failed to capture in the one opportunity I had to record her busking. The first video makes it seem even worse, as she’s distracted mid-song by one of the biggest dickheads I’ve encountered in several years of these field recordings. Continue reading Gillian Bourazak performs two songs, deals with mega-creeper