When I first met her, I was almost certain that the last thing Lyndsay Pruitt wanted was to be recorded. She was sitting on a bench near a noodle shop in downtown Asheville, and she had a distant way of talking, almost like she’d rather be anywhere other than in a conversation with a stranger. But, as I explained my project and its goals, she warily agreed to let me record her. Little did I know that this slightly awkward chance encounter would result in one of my favorite early recordings. Continue reading Taylor Martin and Lyndsay Pruitt perform “Devil’s in the Barroom”
Author: Steve Shanafelt
Steve Shanafelt used to think he was a writer. Lots of other people thought he was a very good one, and they paid him to write everything from news articles to erotic comic books. Then, a few years ago, he started to realize that writing was just one very tiny piece of the puzzle. He started recording podcasts, producing field recordings of busking musicians, making short video series and learning how to make websites. Along the way, he learned lots of ways not to manage businesses and how to promote those businesses online. Now, people pay him surprisingly large sums of money to show them some of the things he's picked up.
Gillian Bourazak performs two songs, deals with mega-creeper
Gillian Bourazak was one of the first half-dozen buskers I recorded for the Busk Break project, and her two videos are also one of the worst missed opportunities in the entire series. She has a solid voice and a keen songwriting sense, two things I utterly failed to capture in the one opportunity I had to record her busking. The first video makes it seem even worse, as she’s distracted mid-song by one of the biggest dickheads I’ve encountered in several years of these field recordings. Continue reading Gillian Bourazak performs two songs, deals with mega-creeper
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